Posts Tagged ‘Geoff Kleinman’

Gin Meets Whisky (in a barrel)

Monday, January 27th, 2014

We welcome Geoff Kleinman, editor of the DrinkSpirits website, as a guest blogger on the subject of aged gin…which can be tantalizingly close to whisky.

Author_Geoff KleinmanAged Gin isn’t a new spirit category, but it’s a category that has been getting an increasing amount of attention. Craft distillers have embraced aged gin as another vehicle for creative expression and as an aged product that can be sold during the long waiting game that’s required for aged whisky. The problem with the category is that, at times, it tends to blur the lines between gin and whiskey, with one product, Pow-Wow Botanical Rye, completely obliterating the lines.

“Early American gin (up through the 1860s) was made in the flavored-whiskey style, and it was often barrel aged. Later, once (neutral-spirit based) English styles took root, that, too, was often aged, but much more lightly,” explains David Wondrich, spirits historian and author of Imbibe!.

One of the first contemporary entries in the aged gin space came from Ransom Spirits, in Sheridan, Oregon. With Ransom’s Old Tom Gin, distiller Tad Seestedt helped resurrect a “lost” style of gin and in the process helped kick off a new wave of the aged gin category. “The idea was initially to replicate the short amount of time that the gin would have historically spent in barrel during transport over land or sea to its final destination. We also realized afterwards that the barrel aging had an obviously pleasant effect on the gin,” says Tad Seestedt.

agedginRansom’s Old Tom Gin soon became a darling of the craft spirit world, and it opened the door for more craft spirit companies to follow in the aged gin space. “One of the most challenging aspects of “craft distilling” is that the big boys make outstanding products – aging gin allows me a chance to not only be creative but create products that the big boys fhave to play catch up, like with Beefeater’s Burroughs Reserve,” says Paul Hletko, founder and master distiller of FEW Spirits.

Many craft distillers don’t have the ability to truly rectify spirits and scoff at using neutral grain spirits for their products. The result can be a malty botanical spirit with similar characteristics to a young whiskey. “The primary difference, besides the addition of the botanicals to the spirit, is the distillation proof of the base spirit. As you know, whiskey is distilled to a much lower proof off the still, so there are fusels and other congeners in the whiskey distillate that aren’t there in the base of the gin distillate,” remarks John Little, head distiller of Smooth Ambler Spirits.

Seeing this intersection between aged gin and aged whiskey, Amir Peay, CEO and founder at Georgetown Trading Co., created Pow-Wow Botanical Rye. “We took a fine, mature whiskey and then infused it with whole botanicals over an extended period of time. My idea of a good whiskey is one that is complex and balanced, and I wanted to see if we could take a great whiskey and add new layers of botanical complexity that worked in concert with the existing flavors.”

The dividing line between a botanical flavored whiskey and an aged gin may be murky, but it’s there. “Aged London dry style gin, or any gin that’s based on neutral spirits, is not aged whiskey, it’s aged vodka. If you make your gin with an unrectified grain spirit that’s been distilled to a relatively low proof, as the Dutch do with their moutwijn, then it’s a flavored whiskey,” explains David Wondrich.

While aged gin is predominantly seen among craft distillers, this year Pernod Ricard got into the space with their limited Beefeater Burrough’s Reserve “Barrel Finished Gin.”

“Aged or rested gin opens up another drinking occasion for gin. Most people wouldn’t think to sit and enjoy a glass of neat gin with a cheese plate after dinner, but with Burrough’s Reserve on the market now we can,” says Nick van Tiel, Pernod Ricard’s English gins brand ambassador.

Whether or not whiskey drinkers will embrace the aged gin category remains to be seen, but it’s certainly a category that deserves exploration. Paul Hletko best sums it up: “It is a wide open place, and much of what we do is education on what ‘brown gin’ is and why it’s brown.  But the opportunity to be creative is worth it.”